Titillating

Tantra

Titillating - Tantra

 

 The Fourth Chakra: Anahata-cakra, wheel of the unstruck (sound)

This is the Chakra of love and all its aspects; it is the key to all the other dimensions of the human body. It has three Chakra’s related to the earth below it and three Chakra’s related the sky above it. It is female in aspect and it is the primary place of tantric lovemaking. This Chakra represents love the greatest healing force in all existence. The heart rather than the head are considered the true bridge between consciousness and the body.

Location At the Heart
Title Heart Chakra
Colour Green and rose
Scent Rose
Sound "AH"
Symbol Moon

Mesage: Cultivate kindness
Cultivate calmness
Cultivate compassion
Cultivate dispassion
Feel your love

New Erotic facts about breasts

*In most cultures breasts* play a role in human sexual activity, as we know all too well. Breasts and especially nipples are a woman's erogenous zones, research has suggested that the sexual sensations caused by nipple stimulation are genital, as breast arousal is directly linked to "the genital area of the brain. Sensation from the nipples triggers uterine contractions which travel to the same part of the brain as sensations from the vagina, clitoris and cervix.

*In the ancient Kama Sutra* light scratching of the breasts with nails and biting with teeth are considered erotic. During sexual arousal, breast size increases, venous patterns across the breasts become more visible, and nipples harden because the skin of the nipple is rich in a supply of special nerves that are sensitive to stimuli.

Stranger facts about breasts

Many cultures associate breasts with sexuality and tend to regard bare breasts as immodest or indecent. In some developing cultures, like the Himba in northern Namibia, bare-breasted women are the social norm, while an exposed woman's thigh is highly sexualised and never exposed in public. In a few Western societies female toplessness at a beach is acceptable although it may not be acceptable in the town centre. In some areas, exposing a woman's breasts applies only to the exposure of her nipples. Due to cultural pressures women regard their breasts as the utmost importance, they are as important to their sexual attractiveness, as a sign of femininity and to their sense of self.

The erection of nipples is not due to erectile tissue, but due to the contraction of smooth muscle under the control of the autonomic nervous system. It is more akin to a hair follicle standing on end than to a sexual erection. Nipple erections are a product of the pilomotor reflex which causes goose bumps. The erection of the nipple is partially due to the cylindrically-arranged muscle cells found within it.

Most humans have two nipples after birth, located near the centre of each breast and which are surrounded by an area of sensitive, pigmented skin known as the areola. Human foetuses develop several more nipples along the milk lines, which extend from the axilla (armpit), along the abdominal muscles, and down to the pubis (groin) on both sides. Those nipples usually disappear before birth, but sometimes remain, resulting in supernumerary nipples which uncommonly have lactiferous glands attached.

Sometimes, babies, male or female, are born producing milk. This is common and is colloquially called "witch's milk". It is caused by maternal estrogens acting on the baby and disappears after several days.

Breasts in Art

In European pre-historic societies, sculptures of female figures with pronounced or highly exaggerated breasts were common. A typical example is the so-called Venus of Willendorf, one of many Paleolithic Venus figurines with ample hips and bosom. (See image above) The Venus of Willendorf, is an 11 cm (4.3 in) high statuette of a female figure estimated to have been made between 24,000 and 22,000 before the Christian era. It is carved from an oolitic limestone and tinted with red ochra that is not local to the Areain Austria where it was discovered. Several similar statuettes and other forms of art have been discovered, and they are collectively referred to as Venus figurines. Very little is known about the Woman of Willendorfs origin, method of creation, or cultural significance. The purpose of the carving is the subject of much speculation. It never had feet and does not stand on its own. The apparent large size of the breasts and abdomen, and the detail put into the vulva, have led scholars to interpret the figure as a fertility symbol. Many female deities representing love and fertility were associated with breasts and breast milk. The figure has no visible face, her head being covered with circular horizontal bands of what might be rows of plaited hair, or a type of headdress.

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